Criticism and theory and tools and machines

Here's an elegant little piece from William Deresiewicz's workbench about criticism and theory and tools and machines. The pith of it:

It occurred to me, eventually, that if criticism is a set of tools, theory is a series of machines. Tool-work—craft—which responds to both the grain of the material and the sensitivity of the guiding hand, is always unpredictable, always unique, and always bears the traces of the craftsperson. Machine-work—manufacture—is always predictable, uniform, and impersonal. You just feed the lumber into the mill. Tools extend the human; machines replace it. And that’s exactly what literary theory does: the work goes missing; the author, famously, is dead; and art, the highest expression of the human, is effaced.

Nice, eh?! 

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